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Reversing
Societal Programming
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Paradigm
Reprogramming
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A
NEW SCIENCE OF LIFE: THE HYPOTHESIS OF FORMATIVE CAUSATION,
1982,
Rupert Sheldrake. Ingenious explanation of the transference
of behavior across large distances, suggesting that biological
systems an regulated by invisible organizing blueprints: "morphogenic
fields." |
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| THE
AQUARIAN CONSPIRACY: Personal and Social Transformation in
the 1980s, 1987, Marilyn Ferguson.
Many of the trends pointing to a new age and a paradigm shift
are outlined in this optimistic and visionary classic Unfortunately,
Ferguson entirely omits the Neo-Pagan movement. |
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| CHAOS:
MAKING A NEW SCIENCE,
1987, James Gleick. Homeostasis
vs. paradigm shifts in Nature, or how Eris went to M.I.T. |
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| THE
GLOBAL BRAIN AWAKENS,
1982;
1995, Peter Russell. A vision of the immanent emergence
of collective planetary consciousness. |
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| THE
HUNDREDTH MONKEY - And Other Paradigms of the Paranormal,
1991,
Ken Keyes. |
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| LIFTING
THE VEIL: THE FEMININE FACE OF SCIENCE, 1993,
Linda Shepherd. |
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| PARADIGMS
IN PROGRESS: Life Beyond Economics,
199l, Hazel Henderson. |
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| THE
STRUCTURE OF SCIENTIFIC REVOLUTIONS, 1962;
1970, Thomas Kuhn. The original and definitive work on
scientific paradigms and paradigm shifts. |
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| THE
TIME FALLING BODIES TAKE TO LIGHT: Mythology, Sexuality, and
the Origins of Culture, 1981,
William Irwin Thompson. Mythology, sexuality and the origins
of culture at the threshhold of our future evolution. |
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| THE
TURNING POINT: Science, Society, and the Rising Culture,
1982, Fritjof Capra. Evidence leading
to the immanent emergence of a new phase in the evolution
of human consciousness. |
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| WHAT
THE #$*!
DO WE KNOW?!,
2004, Betsy Chasse, Mark Vicente, "WHAT
THE #$*! DO WE KNOW?!" is part documentary, part story,
and part elaborate visual effects and animations. The protagonist,
Amanda, played by Marlee Matlin, finds herself in an Alice
in Wonderland experience when her daily, uninspired life literally
begins to unravel, revealing the uncertain world of the quantum
field hidden behind what we consider to be our normal, waking
reality. The fourteen top scientists and mystics interviewed
in documentary style serve as a modern day Greek Chorus. The
chorus members act as hosts who live outside of the story,
and from this Olympian view, comment on the actions of the
characters below. They are also there to introduce the Great
Questions framed by both science and religion, which divides
the film into a series of acts. Through the course of the
film, the distinction between science and religion becomes
increasingly blurred, since we realize that, in essence, both
science and religion describe the same phenomena.(DVD) |
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| WHAT
THE DORMOUSE SAID: How the 60s Counterculture Shaped the Personal
Computer, 2005,
John Markoff. While there have been several histories
of the personal computer, well-known technology writer John
Markoff has created the first ever to spotlight the unique
political and cultural forces that gave rise to this revolutionary
technology. Focusing on the period of 1962 through 1975 in
the San Francisco Bay Area, where a heady mix of tech industries,
radicalism, and readily available drugs flourished, What the
Dormouse Said tells the story of the birth of the personal
computer through the people, politics, and protest that defined
its unique era. |
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